DON'T CONSUME THIS INDIAN FILM AND TV INSTITUTE,PUNE. IT WAS THE WORST BROTHEL THAT RAN THE WORST RAPE,SHAME SHOW OVERNIGHT WITH ME IN 2010.
DO NOT CONSUME ANY INDIAN FILM TV INSITUTE BROTHELS.
Q) Does it feel strange to you that despite being used since Childhood in abusive ways through i.t technology and externally India ultimately gave you no career?
A) Yes, but thats my experience of the sort of filth country India is. I expected life from them, now I don't expect anything from Indians.
Q) Does it feel strange to you that despite struggling all your life since childhood and choosing to support and promote the film and tv institute of India by enrolling as a student there, you have no career in either Indian film and tv or in any other way? Instead all of their Film and Tv insitute directors were given crores of working careers to market, work with and sell film family film star careers or other Indians?
A) I expect nothing from Indians now, even if they use Pakistanis or foreigners in their brothel film and tv content business because i do not consume them anymore.
It is no surprise to me, because those Indians are directed to destroy me as well, while simultaenously looting me in every way, of a life, career, of all of my struggle. Loot, theft,rape is their main business, their 'creative' work whose high points are film family born eggs is their second business.
So, it does not surprise me, that they abused me since childhood in India but the children they give business and careers and work to are the film family born film star eggs, whose arseholes and genitals are served by them, whose piss and potty they wipe as career and work.
It's not about talent, it is never about talent, it is about who is given work, who is given a career and since the film tv brothel is a naked industry it is for all to see who they give work to, who they shove their rape talent and crores into.
Q) Instead the film and tv institute of india was used as the ground to eventually abuse your body physically
A) Yes, it is all part of the sexual humiliation directed against me since childhood. So what they did to me there at age 29 in 2010 was no surprise. I cannot expect anything 'good' for my life or career from these people. I know Indians will try and 'direct' my real life to destroy me in as many ways as they can while simultaneously greenlighting careers of as many people whose careers and businesses they can run while raping and looting me off my struggle and film family film star eggs are a big part of their business.
THIS FILM AND TV INSTITUTE CREATED THE WORST RAPE MOCK NIGHT FOR ME OVERNIGHT IN 2010 WHEN I WAS ALONE AND KEPT PAYING THEMSELVES WORK AND MONEY TO ENJOY CAREERS AND MOCK SHOWS.
Q) So where are they exchanging their loot?
A) It works like this, When they loot and destroy the life and career of someone like me who they give no career to, they have a free struggle to use as source material, then they play in 'real' ways without professional career involvement to use everything associated with my struggle and the returns of that 'real play' through various systems and incidents that were involved in my struggle are rerouted towards whichever male,female prostitute they want to give a career to who they then make professionally through various career opportunities. Their consumers do not know whose struggle they loot, they only know who is made professionally, sold and marketed. So the returns of all that go into their pockets. Nothing of any of my own struggle ever comes to my old parents or our family.
Q) But the film and tv institute of India led you to one job for a year?
A) Scriptwriting skill is only a part of the skills i have had to pick up after i was used and destroyed in other ways in India, my struggle is beyond that. They employed me because I insisted that they should employ me for some time because I could see better by then at age 25 how i was being strategically destroyed and wasted. They wanted somebody else from that classroom and eventually some other student from that classroom insisted that he wanted to be employed there instead of me, so it is openly assumed by all within their system that i am supposed to be cut off and avoided and not the person to be creatively applied and it will always be somebody else. Besides that, it was not content for the Indian film industry or it was not where i was going to create anything of my own struggle, it was about other people creating.
Q) But if you ever write shouldn't it all be credited to the f.t.i.i
A) No. My writing begins in childhood from home, Delhi and then for a year in Melbourne, but like every other classroom where i learnt because i genuinely wanted to learn something there is credit towards every classroom. But without ever being employed as a writer or even a co-writer to ever write any Indian film made whether at age 22 or 25 what use is it to ever step back into the FTII. My writing is within my journals,my computer and my room.
For what they taught me, i wrote free content within the classroom like every one else, which they can use for free. But if everything i ever write starts being used as free content on the basis of one year at the FTII it will only reveal their poverty! The sex worker, whores in the scriptwriting classroom of pune who sat there with their face and flesh along with their pens, must have their own brothel and writing journeys, similarly I have my own. I have nothing to do with them in any personal way and I want nothing from my life to stolen to be added to their own individual businesses.
Once again with the bad Indian experience I was their unwanted outsider trying to make myself part of their ongoing Indian party where they are the makers and creatives busy making their own or shoving work into film family eggs.
Obviously it was well publicised that they can make anybody part of their Film, tv institute of India but they don't have to make that person part of their Indian film or television.
